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http://worldcat.org/entity/work/id/836972298

The Hold up an editing exercise

Illustrates the technique of film editing by shooting a scene and then reconstructing it in two different ways.

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http://schema.org/alternateName

  • "Editing exercise"
  • "Editing exercise"@en
  • "Hold-up, an editing exercise (Program)"@en
  • "Hold up, an editing exercise"@en
  • "Hold-up, an editing exercise (the program)"@en
  • "Hold-up : an editing-program"
  • "Unedited slanted rushes"@en
  • "Unedited slanted rushes"
  • "Hold-up, an editing exercise (program)"@en

http://schema.org/description

  • "Film critic Roger Ebert takes viewers from rushes to the final cut of a dramatic bank robbery scene. This video illuminates basic editing techniques, such as matching action, parallel editing, and continuity, and shows the effects of camera angles, point of view, and reaction shots. It concludes with two edited versions that illustrate the widely differing approaches an editor might take in assembling the sequence. (Insight Media, 1991)."
  • "Demonstrates the techniques in making a motion picture with emphasis on the principles of editing the individual scenes to a finished product."
  • "Illustrates the technique of film editing by shooting a scene and then reconstructing it in two different ways."@en
  • ""Film critic Roger Ebert discusses some basic components of filmmaking and explains how various shots can be edited into a unified film. Unedited, slated rushes are available in various video and film formats, providing students with an opportunity to edit their own version of the scene. The sequence is designed so that it can be edited as a silent film or with single or double system sound. Files must be transfered to media drive.""
  • "Demonstrates the making of a motion picture with emphasis on editing the individual scenes with music and sound effects into a finished product."@en
  • "Demonstrates the filming of a 'hold-up' story, with running commentary on techniques, and then shows two versions of the edited film with music and sound effects."@en
  • "Discusses some basic components of filmmaking and explains how various shots can be edited into a unified film. Shows two edited versions: one strictly film; the second, film with sound and music added."@en
  • "Film critic Roger Ebert discusses some basic components of filmmaking and explains how various shots can be edited into a unified film. Unedited, slated rushes are available in various video and film formats, providing students with an opportunity to edit their own version of the scene. The sequence is designed so that it can be edited as a silent film or with single or double system sound. Files must be transfered to media drive."@en
  • "Film critic Roger Ebert discusses some basic components of filmmaking and explains how various shots can be edited into a unified film. Unedited, slated rushes are available in various video and film formats, providing students with an opportunity to edit their own version of the scene. The sequence is designed so that it can be edited as a silent film or with single or double system sound. Files must be transfered to media drive."
  • "Film critic Roger Ebert discusses some basic components of filmmaking and explains how various shots can be edited into a unified film. Two edited versions are shown: one strictly film; the other, film with sound and music added."
  • "Film critic Roger Ebert discusses some basic components of filmmaking and explains how various shots can be edited into a unified film. Two edited versions are shown: one strictly film; the other, film with sound and music added."@en
  • "For computer based editing systems. One of the most widely used training film for editing students. Nationally syndicated film critic Roger Ebert takes students from rushes to the fine cut of a dramatic band robbery scene. Mr. Ebert's commentary provides insights into basic editing techniques such as matching action, parallel editing and continuity as well as the effects of camera angles, point of view and reaction shots. The film concludes with two edited versions, illustrating the widely different approaches an editor might take in assembling the sequence. Unedited, slated rushes are available in various video and film formats, providing students with an opportunity to edit their own version of the scene. The sequence is designed so that it can be edited as a silent film or with single or double system sound. The DVD version includes the instructional film with the Roger Ebert commentary."

http://schema.org/genre

  • "Documentary films"
  • "Educational films"

http://schema.org/name

  • "The Hold up an editing exercise"
  • "The Hold up an editing exercise"@en
  • "The Hold-up an editing exercise"@en
  • "The Hold up an editing exercise : the rushes"@en
  • "The hold up an editing exercise"