Impression : painting quickly in France, 1860-1890 : [exhibition, the National gallery, London, November 1, 2000-January 28, 2001, Van Gogh museum, Amsterdam, March 2-May 20, 2001, Sterling and Francine Clark art institute, Williamstown, Mass., June 16-September 9, 2001]
"The "point" of Impressionist art was to capture the fleeting moment, the transient effect of a certain place, person or time. Impressionist artists worked on site with speed and directness, hoping to distinguish their works with a new freshness, immediacy, and truthfulness. Yet the paintings they exhibited were in fact almost always completed in the studio later. This beautifully illustrated book investigates for the first time works that might truly be called Impressions--paintings that appear to be rapid transcriptions of shifting subjects but were nonetheless considered finished by their makers. Renowned Impressionist scholar Richard R. Brettell identifies and discusses Impressions by some of the best-known artists of the period, including Manet, Monet, Renoir, Sisley, Morisot, Degas, Pissarro, and Caillebotte. The book surveys the various practices of individual artists in the making, signing, exhibiting, and selling of Impressions. Brettell discusses the pictorial theories behind the paintings, the sales strategies for them, and the various forms they took, including works completed in one sitting, "apparent" Impressions, and repeated Impressions. In a concluding chapter, the author considers a small group of works by Vincent van Gogh, who painted with an almost fanatical rapidity and was the only major post-Impressionist painter to push the aesthetic of the Impression even further."
"Impression : painting quickly in France, 1860-1890 : [exhibition, the National gallery, London, November 1, 2000-January 28, 2001, Van Gogh museum, Amsterdam, March 2-May 20, 2001, Sterling and Francine Clark art institute, Williamstown, Mass., June 16-September 9, 2001]"
"Impression : painting quickly in France 1860-1890 : [published on the occasion of the exhibition ... The National Gallery, London, November 1, 2000 - January 28, 2001 ...]"
"Impressions: peindre dans l'instant les impressionistes en France 1860 - 1890 ; [publié à l'occasion de l'exposition itinérante Impression: painting quickly in France, 1860 - 1890 présentée à: La National Gallery, Londres, du 1. novembre 2000 au 28 janvier 2001, Van Gogh Museum, Amsterdam, du 2 mars au 20 juin 2001, Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, du 16 juin au 9 septembre 2001]"
"Impression : painting quickly in France, 1860-1890"@it
"Impression : painting quickly in France, 1860-1890"
"Impressions : peindre dans l'instant, les impressionnistes en France 1860-1890"
"Impressions - peindre dans l'instant : les impressionnistes en France 1860-1890; [à l'occasion de l'Exposition Itinérante "Impression. Painting Quickly in France, 1860-1890"; la National Gallery, Londres, du 1er novembre 2000 au 28 janvier 2001; Van Gogh Museum, Amsterdam, du 2 mars au 20 juin 2001; Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, du 16 juin au 9 septembre 2001]"
"Impression : painting quickly in France, 1860 - 1890; [Exhibition "Impression: Painting Quickly in France, 1860 - 1890"; the National Gallery, London, November 1, 2000 - January 28, 2001; Van Gogh Museum, Amsterdam, March 2 - May 20, 2001; Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, June 16 - September 9, 2001]"
"Impression"
"Impressionisme : de vrijheid van de losse toets"
"Impressions, peindre dans l'instant : les impressionnistes en France, 1860-1890"
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Exhibition Impression. Painting Quickly in France, 1860 - 1890. <2000 - 2001, London u.a.>.
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Sterling and Francine Clark Art Institute (Williamstown, Mass.)
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Sterling and Francine Clark Art Institute (Willieamstown, Mass.)
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Impressionnisme (art) France Catalogues d'exposition.
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impressionnisme France 1860 1890 catalogue d'exposition.
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impressionnisme peinture française 1860 / 1890 [catalogue d'exposition]
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Malerei Frankreich Geschichte 1860-1890 Ausstellung.
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