"Literatura inglesa 1500-1700 (Moderna) Historia y crítica." . . "Renaissance" . . "Geschichte 1558-1625." . . "17e siècle" . . "anno 1500-1599" . . . . "Protestantismus Drama englisches Geschichte 17. Jh." . . "Toneel." . . "1500 - 1699" . . "Angleterre." . . "Verzeichnis." . . "anno 1600-1699" . . "Theater." . . "Christianisme." . . "protestantisme - influence exercée théâtre anglais époque élisabéthaine / 17e s." . . "Protestantismus Drama englisches Geschichte 16. Jh." . . "Tragédie." . . "Renaissance Angleterre (GB)" . . "Volkstheater." . . "Religion." . . "Théâtre Aspect religieux Christianisme." . . "Théâtre anglais." . . "Protestantisme et littérature 17e siècle." . . "Renaissance." . . "Théâtre anglais 16e siècle Histoire et critique." . . "Drama englisches Protestantismus Geschichte 16. Jh." . . "Protestantisme." . . "Teatro inglés 1500-1600 (Moderno e Isabelino) Historia y crítica." . . "Théâtre Angleterre (GB) 17e siècle." . . "England." . . "16e siècle" . . "Drama englisches Protestantismus Geschichte 17. Jh." . . "Tragedies." . . "Protestantisme et littérature 16e siècle." . . "Aspect religieux." . . "Théâtre Angleterre (GB) 16e siècle." . . "1558-1625" . . "Drama." . . . . . "Staging reform, reforming the stage : Protestantism and popular theatre in early modern England" . . . . . . . . . . . . . . . . . "Criticism, interpretation, etc" . . . . . . . . . . . . . . . . "Huston Diehl sees Elizabethan and Jacobean drama as both a product of the Protestant Reformation - a reformed drama - and a producer of Protestant habits of thought - a reforming drama. According to Diehl, the popular London theater, which flourished in the years after Elizabeth reestablished Protestantism in England, rehearsed the religious crises that disrupted, divided, energized, and in many respects revolutionized English society. Using as her central texts the tragedies of Thomas Kyd, Christopher Marlowe, William Shakespeare, Thomas Middleton, and John Webster, Diehl maintains that plays of the period reflexively explore their own power to dazzle, seduce, and deceive. Employing a reformed rhetoric that is both powerful and profoundly disturbing, they disrupt their own stunning spectacles. Out of this creative tension between theatricality and antitheatricality emerges a distinctly Protestant aesthetic." . . . . . . . . . . . . . . . "Staging reform, reforming the stage : Protestantism and popular theater in Early Modern England" . . "Dramat angielski" . . "Staging reform reforming the stage : protestantism and popular theater in early modern england" . . . . . . . . . . "Staging reform, reforming the stage : Protestantism and popular theater in early modern England" . "History" . . . . . . . . . . . . . . . . . . "Staging reform, reforming the stage : protestantism and popular theater in early modern England" . . . . . . . . . . "Engelse letterkunde." . . "Englisch." . . "Emblem." . . "Dramat angielski 16 w. historia i krytyka." . . "Geschichte." . . "Dramatik engelsk litteraturhistoria 1500-talet 1600-talet." . . "Englisch." . . "Protestantismus." . . "Théâtre anglais 17e siècle Histoire et critique." . . "Esthétique." . .