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Victor Herbert a theatrical life

Victor Herbert is one of the giants of American culture. As a musician, conductor, and, above all, composer, he touched every corner of American musical life at the turn of the century, writing scores of songs, marches, concerti, and other works. But his most enduring legacy is on a different kind of stage, as one of the grandfathers of the modern musical theater. Now, Victor Herbert has the biography he deserves. Neil Gould draws on his own experience as a director, producer, and scholar to craft the first comprehensive portrait in fifty years of the Irish immigrant whose extraordinary talents.

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  • "Victor Herbert is one of the giants of American culture. As a musician, conductor, and, above all, composer, he touched every corner of American musical life at the turn of the century, writing scores of songs, marches, concerti, and other works. But his most enduring legacy is on a different kind of stage, as one of the grandfathers of the modern musical theater. Now, Victor Herbert has the biography he deserves. Neil Gould draws on his own experience as a director, producer, and scholar to craft the first comprehensive portrait in fifty years of the Irish immigrant whose extraordinary talents."@en
  • "In 1946 Edward Rohs was left by his unwed parents at the Angel Guardian Home to be raised by the Sisters of Mercy. The Sisters hoped that the parents would one day return for him. In time they married and had other children, but Ed's parents never came back for him. And they never signed the legal papers so he could be adopted by another family. Raised by the Church chronicles the extraordinary life of Ed Rohs, a bright, mischievous boy who was raised in five institutions of the Catholic orphanage system in postwar Brooklyn, New York, from infancy in 1946 until he was discharged as an adult in 1965. Rohs was one of thousands of children taken in by Catholic institutions during the tumultuous spost-WWII years: out-of-wedlock infants, children whose fathers had been killed in the war, and children of parents in crisis. Ed gives a brief history of each institution before describing that world--the Sisters and Brothers who raised him, the food, his companions, and the Catholic community that provided social and emotional support. When Ed finally leaves the institution after nineteen years he has a difficult time adjusting. He slowly assimilates into "normal" life and determinedly rises above his origins, achieving an advanced degree and career success, working for years in child welfare and as volunteer strength coach for the Fordham University basketball team. He hides his upbringing out of shame and fear of others' pity. But as he begins to reflect on his own story and to talk to the people who raised him, Ed begins to see a larger story intertwined with his own. With original research based on interviews with clergymen and nuns, archival data from the New York Archdiocese, and government records, Raised by the Church tells the social history of an era when hundreds of thousands of baby boomers passed through the orphanage system. Through the story of one man, this book gives us a much-needed historical perspective on an American society that understood and acknowledged the community's need for a safe haven."@en
  • "Victor Herbert is one of the giants of American culture. As a musician, conductor, and, above all, composer, he touched every corner of American musical life at the turn of the century, writing scores of songs, marches, concerti, and other works. But his most enduring legacy is on a different kind of stage, as one of the grandfathers of the modern musical theater.Now, Victor Herbert has the biography he deserves. Neil Gould draws on his own experience as a director, producer, and scholar to craft the first comprehensive portrait in fifty years of the Irish immigrant whose extraordinary talents defined the sounds of a generation and made contemporary American music possible.Mining a wealth of sources--many for the first time--Gould provides a fascinating portrait of Herbert and his world. Born in Dublin in 1859, Herbert arrived in the United States in 1886. From his first job in the orchestra pit of the Metropolitan Opera, Herbert went on to perform in countless festivals and concerts, and conduct the Pittsburgh Orchestra. In 1894, he composed his first operetta, Prince Ananias, and by the time of his death in 1924, he'd composed forty-two more--many of them, such as Naughty Marietta, spectacular Broadway hits. Along the way, he also wrote two operas, stage music for the Ziegfeld Follies, and the first full score for a motion picture, The Fall of a Nation.Gould brilliantly blends the musical and the theatrical, classical and popular, the public and the private, in this book. He not only gives a revealing portrait of Herbert the artist, entrepreneur, and visionary, but also recreates the vibrant world of the Herbert's Broadway. Gould takes us inside the music itself--with detailed guides to each major work and recreations of great performances. He also makes strong connections between Herbert's breakthrough compositions, such as the operetta Mlle. Modiste, and the later contributions of Rudolf Friml,Sigmund Romberg, Jerome Kern and other giants of the musical theater.As exuberant as Herbert himself, this book is also a chronicle of American popular culture during one of its most creative periods. For anyone enraptured by the sound of the American musical, this book is delightfully required reading."
  • ""Victor Herbert is one of the giants of American culture. As a musician, conductor, and, above all, composer, he touched every corner of American musical life at the turn of the century, writing scores of songs, marches, concerti, and other works. But his most enduring legacy is on a different kind of stage, as one of the grandfathers of the modern musical theater. Mining a wealth of sources, this book provides a portrait of Herbert and his world. Born in Dublin in 1859, Herbert arrived in the United States in 1886. From his first job in the orchestra pit of the Metropolitan Opera, Herbert went on to perform in countless festivals and concerts, and conduct the Pittsburgh Orchestra. In 1894, he composed his first operetta, Prince Ananias, and by the time of his death in 1924, he'd composed forty-two more--many of them, such as Naughty Marietta, spectacular Broadway hits. Along the way, he also wrote two operas, stage music for the Ziegfeld Follies, and the first full score for a motion picture, The Fall of a Nation. This book blends the musical and the theatrical, classical and popular, the public and the private. It not only gives a revealing portrait of Herbert the artist, entrepreneur, and visionary, but also recreates the vibrant world of the Herbert's Broadway. This book is also a chronicle of American popular culture during one of its most creative periods."--Publisher's abstract."@en

http://schema.org/genre

  • "Electronic books"@en
  • "Electronic books"
  • "Biography"
  • "Biography"@en
  • "Livres électroniques"
  • "Electronic resource"@en
  • "Biographie"

http://schema.org/name

  • "Victor Herbert : a theatrical life"
  • "Victor Herbert: A Theatrical Life"
  • "Victor Herbert a theatrical life"@en
  • "Victor Herbert a theatrical life"
  • "Raised by the Church growing up in New York City's Catholic orphanages"@en