"SOCIAL SCIENCE Ethnic Studies General." . . "Saint Martin (West Indies) Ethnic relations." . . "Saint Martin (West Indies) Social conditions." . . "Anthropology of religion Saint Martin (West Indies)" . . "Christentum." . . "Ethnology Saint Martin (West Indies)" . . "RELIGION Christianity General." . . "Ethnicité Saint-Martin (île)" . . "Musik." . . "Ethnicity Saint Martin (West Indies)" . . "Religionsethnologie." . . "Multikulturelle Gesellschaft." . . "Saint-Martin (Kleine Antillen)" . . "SOCIAL SCIENCE Discrimination & Race Relations." . . "Saint-Martin (île)" . . "Music Social aspects Saint Martin (West Indies)" . . "Religion and culture Saint Martin (West Indies)" . . "Saint Martin (West Indies) Race relations." . . "Social Science." . . "Saint-Martin." . . "SOCIAL SCIENCE Minority Studies." . . "Saint Martin (West Indies)" . . . . "Livres électroniques" . . . "Chanting Down the New Jerusalem Calypso, Christianity, and Capitalism in the Caribbean"@en . "In this brilliantly evocative ethnography, Francio Guadeloupe probes the ethos and attitude created by radio disc jockeys on the binational Caribbean island of Saint Martin/Sint Maarten. Examining the intersection of Christianity, calypso, and capitalism, Guadeloupe shows how a multiethnic and multireligious island nation, where livelihoods depend on tourism, has managed to encourage all social classes to transcend their ethnic and religious differences. In his pathbreaking analysis, Guadeloupe credits the island DJs, whose formulations of Christian faith, musical creativity, and capitalist su."@en . . . . . . . . . . . . . . . . . . "Electronic books"@en . . . . . . . . . . . . . "Chanting down the new Jerusalem calypso, Christianity, and capitalism in the Caribbean" . . . . . . . . . . . . "Chanting down the new Jerusalem : calypso, Christianity, and capitalism in the Caribbean" . . . . . . . . . . . "SOCIAL SCIENCE Anthropology Cultural." . . . . "Ethnologie Saint-Martin (île)" . . "Disc jockeys Social aspects Saint Martin (West Indies)" . . "Religiosität." . .