Linked Data Explorerhttp://worldcat.org/entity/work/id/865282706
After neorealism Italian filmmakers and their films : essays and interviews
The term "neorealism" was first applied by the critic Antonio Pietrangeli to Visconti's Ossessione (1942), and the style came to fruition in the mid-to-late forties in such films of Roberto Rossellini, Luchino Visconti, and Vittorio De Sica as Rome, Open City (1945), Shoeshine (1946), Paisan (1947), Bicycle Thieves (1948), and The Earth Trembles (1948). These pictures reacted not only against the banality that had long been the dominant mode of Italian cinema, but also against prevailing soc ...
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- http://experiment.worldcat.org/entity/work/data/865282706#Topic/art_film_&_video
- http://experiment.worldcat.org/entity/work/data/865282706#Place/italien
- http://worldcat.org/entity/person/id/2638129175
- http://id.worldcat.org/fast/1204565
- http://experiment.worldcat.org/entity/work/data/865282706#Topic/neorealism
- http://experiment.worldcat.org/entity/work/data/865282706#Topic/directors_italy
- http://experiment.worldcat.org/entity/work/data/865282706#Topic/realism_in_films_italy
- http://experiment.worldcat.org/entity/work/data/865282706#Topic/performing_arts_film_&_video_reference
- http://id.worldcat.org/fast/1027225
- http://experiment.worldcat.org/entity/work/data/865282706#Place/italy
- http://experiment.worldcat.org/entity/work/data/865282706#Topic/cinema_italie_1945_1960_histoire_et_critique
- http://experiment.worldcat.org/entity/work/data/865282706#Topic/cinema
- http://experiment.worldcat.org/entity/work/data/865282706#Topic/realisme_au_cinema
- http://worldcat.org/entity/person/id/2638494525
- http://experiment.worldcat.org/entity/work/data/865282706#Topic/producteurs_et_realisateurs_de_cinema
- http://worldcat.org/entity/person/id/2628921897
- http://experiment.worldcat.org/entity/work/data/865282706#Topic/realisateurs_de_cinema_italie_1945_entretiens
- http://experiment.worldcat.org/entity/work/data/865282706#Topic/realism_in_motion_pictures
- http://id.worldcat.org/fast/1091239
- http://id.loc.gov/authorities/subjects/sh2008108013
- http://experiment.worldcat.org/entity/work/data/865282706#Topic/cinema_italie_1960_1990_histoire_et_critique
- http://worldcat.org/entity/person/id/2630205449
- http://worldcat.org/entity/person/id/2636339891
- http://experiment.worldcat.org/entity/work/data/865282706#Topic/filmregisseur
- http://experiment.worldcat.org/entity/work/data/865282706#Topic/italy
- http://experiment.worldcat.org/entity/work/data/865282706#Topic/film_italien_geschichte_1960_2000
- http://experiment.worldcat.org/entity/work/data/865282706#Topic/film
- http://worldcat.org/entity/person/id/2634341696
- http://experiment.worldcat.org/entity/work/data/865282706#Topic/motion_pictures
- http://id.loc.gov/authorities/subjects/sh2008108023
- http://experiment.worldcat.org/entity/work/data/865282706#Topic/motion_picture_producers_and_directors
- http://id.loc.gov/authorities/subjects/sh85111771
- http://id.worldcat.org/fast/1027285
- http://worldcat.org/entity/person/id/2630853655
http://schema.org/description
- "The term "neorealism" was first applied by the critic Antonio Pietrangeli to Visconti's Ossessione (1942), and the style came to fruition in the mid-to-late forties in such films of Roberto Rossellini, Luchino Visconti, and Vittorio De Sica as Rome, Open City (1945), Shoeshine (1946), Paisan (1947), Bicycle Thieves (1948), and The Earth Trembles (1948). These pictures reacted not only against the banality that had long been the dominant mode of Italian cinema, but also against prevailing soc ..."@en
http://schema.org/name
- "After neorealism Italian filmmakers and their films : essays and interviews"@en
- "After neorealism Italian filmmakers and their films : essays and interviews"
- "After neorealism : Italian filmmakers and their films : essays and interviews"