"1900 - 1999" . . . . "Ascension Productions," . . "Ascension Productions (Firm)" . . . . . "History" . "History"@en . . . . . "Depictions of the movement in popular culture" . "Depictions of the movement in popular culture"@en . "SNCC 50th Anniversary Conference. Volume 19, Depictions of the movement in popular culture" . "SNCC 50th Anniversary Conference. Volume 19, Depictions of the movement in popular culture"@en . . . . . . . . . . . . . . . . "Conference proceedings of veteran and youth activists gathered at Shaw University in North Carolina to commemorate the 50th anniversary of the Student Non-Violent Coordinating Committee (SNCC), an organization which formed the vanguard of the Civil Rights Movement." . "Conference proceedings of veteran and youth activists gathered at Shaw University in North Carolina to commemorate the 50th anniversary of the Student Non-Violent Coordinating Committee (SNCC), an organization which formed the vanguard of the Civil Rights Movement."@en . . . "Biography" . "Biography"@en . . . . . . . "Filmed speeches"@en . "Student Nonviolent Coordinating Committee 50th Anniversary, Shaw University, Raleigh NC: 1960-2010" . "Nonfiction films"@en . "Nonfiction films" . . . . . . . . . . . . . . . "Volume 19: Over the years, the popular media has had a troubled relationship with organizations like SNCC. Hollywood film director Phil Alden Robinson maintains that a big challenge to producing freedom movement films for theatrical distribution is the assumption that the films won't sell overseas. The entertainment values that drive the news limit the depiction of day-to-day grassroots organizing to dramatic protests. However, \"media\" is no longer defined as exclusively Hollywood, network television or mainstream print media. \"Young people especially\", says photographer Maria Varela, \"are not just cultural consumers but culture-makers.\""@en . "Volume 19: Over the years, the popular media has had a troubled relationship with organizations like SNCC. Hollywood film director Phil Alden Robinson maintains that a big challenge to producing freedom movement films for theatrical distribution is the assumption that the films won't sell overseas. The entertainment values that drive the news limit the depiction of day-to-day grassroots organizing to dramatic protests. However, \"media\" is no longer defined as exclusively Hollywood, network television or mainstream print media. \"Young people especially\", says photographer Maria Varela, \"are not just cultural consumers but culture-makers.\"" . . . "Filmed panel discussions" . . "SNCC Legacy Project, Inc," . . "SNCC Legacy Project, Inc." .