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"In a vast baroque palace a man (Albertazzi) meets a woman (Seyrig) with whom he may or may not have had an affair the previous year in Marienbad--or was it Frederiksbad? A stylistic film, alternating past present and future, the real and the imaginary, which won considerable international success."
"Among an assembly of guests in a vast baroque mansion, the narrator/hero tries to persuade a woman that they have met before, and that she has agreed to go away with him, leaving the man (her husband, perhaps) who has accompanied her to this mansion. Introduces Resnais' unconventional editing techniques. Cryptic symbols and ambiguities abound."
""A handsome stranger tries to convince a lovely young woman that they had a passionate affair a year ago "perhaps at Marienbad", but she claims not to remember him. He haunts her mind with images by mixing memory and fantasy, fear and desire."--Container."
"In a baroque spa hotel, an unnamed sophisticate (Albertazzi) attempts to persuade a similarly unnamed married woman (Seyrig) that they have not only previously met, but that they were also romantically involved and had planned to elope together. The woman recalls no such encounter and so begins a sensual and philosophical examination of the uncertainty of truth. The film hypnotically merges chronology to radically blur the boundaries of reality and fantasy, and emerges as one of the most enigmatic movies ever made."
"Among an assembly of guests in a vast baroque mansion, the narrator/hero tries to persuade a woman that they have met before, and that she has agreed to go away with him, leaving the man who has accompanied her to the mansion."
"Among an assembly of guests in a vast baroque mansion, the narrator/hero tries to persuade a woman that they have met before, and that she has agreed to go away with him, leaving the man who had accompanied her to the mansion."
"Among an assembly of guests in a vast baroque mansion, the hero tries to persuade a woman that they have met before, and that she has agreed to go away with him, leaving the man who had accompanied her to the mansion."
""In a baroque spa hotel, un unnamed sophisticate attempts to persuade a similarly unnamed married woman that they have not only previously met, but that they were also romantically involved and had planned to elope together. The woman recalls no such encounter and so begins a sensual and philosophical examination of the uncertainty of thruth" -- Container."
"A French New Wave film that stretches the viewers perceptions of what may be real. A woman, called simply A, is confronted by X, a stranger, who insists that they had met the year before in Marienbad. A has no memory of this, but X explains that they'd had an affair, and that it was her idea to rendezvous at this time and place."@en
"Surrounded by guests in an old mansion, the narrator tries to persuade a woman that they have met before, and that she has agreed to leave her husband and go away with him."
"Mysterious encounter in a baroque mansion between a woman and a man who tells her they had met the previous year at Marienbad. Noted for creative editing techniques."
"A man and a woman meet at a chateau, where they feel they have met and possibly had an affair a year ago. Bonus features include audio and video interviews, documentary, short documentaries, booklet with essays by critic Mark Polizzotti and film scholar Francois Thomas, and more."
"Classique de la nouvelle vague française. Dans un château en Bavière, au cours d'une soirée, un homme rencontre une femme et tente par tous les moyens de lui faire se souvenir que l'année précédente à Marienbad, elle lui a promis de partir avec lui."
"A film world where past, present and future, the real and the imaginery, intersect and converge in an infinite series of possibilities. Focused on three people staying innan immense baroque hotel, a young man tries to renew a love affair with a woman who apparently remembers nothing of either the affair or the young man."
"In a vast old-fashioned hotel, a man meets a woman who may or may not have had an affair with him the previous year in Marienbad -- or was it Frederiksbad?"
"Among an assembly of guests in a vast baroque mansion, the narrator/hero tries to persuade a woman that they have met before and that she agreed to go away with him. Resnais' film is an exercise exploring the subjective reality of the central characters. The considerations of the inner reality are offered as an open-ended poetic experience. (Does not circulate)."
"A handsome stranger tries to convince a lovely young woman that they had a passionate affair a year ago, 'perhaps at Marienbad, ' but she claims not to remember him. He haunts her mind with images by mixing memory and fantasy, fear and desire."
"A drama in which there is a meeting of three nameless characters in a large country chateau."
"Among an assembly of guests in a vast baroque mansion, the narrator/hero tries to persuade a woman that they have met before, and that she has agreed to go away with him, leaving the man (her husband perhaps), who has accompanied her to this mansion. Introduces Resnais's unconventional editing techniques. Cryptic symbols and ambiguities abound."
"In a large baroque hotel a man meets a woman with whom he may or may not have had an affair the previous year in Marienbad--or was it Frederiksbad? A stylistic film, alternating past, present, and future, the real and the imaginary."
"Drama in which there is a meeting of three nameless characters in a vast baroque palace that has become a hotel. A young man tries to renew a love affair with a woman who apparently remembers nothing of either the affair or the young man."
"Among an assembly of guests in a vast baroque mansion, the hero tries to persuade a woman that they have met before, and that she has agreed to go away with him, leaving the man who has accompanied her at the mansion. French with English subtitles.-"
"A drama in which there is a meeting of three nameless characters in a vast baroque palace that has become a hotel. A young man tries to renew a love affair with a woman who apparently remembers nothing of either the affair or the young man. Resnais and Robbe-Grillet construct a narrative where past, present and future, the real world and the imaginary, intersect and converge in a infinite play of possibilities."
"In classic Resnais fashion, two men and a woman in an immense Baroque hotel in Bavaria try to sort out past, present and future, memories and realities."
"Among an assembly of guests in a vast baroque mansion, the narrator/hero tries to persuade a woman that they have met before, and that she has agreed to go away with him, leaving the man who had accompanied her to the mansion. "New Wave" romantic story by Alain Robbe-Grillet."
"Summary: Surrounded by guests in an old mansion, the narrator tries to persuade a woman that they have met before, and that she has agreed to leave her husband and go away with him."
"Mysterious encounter in a baroque mansion between a woman and a man who tells her they had met the previous year at Marienbad."
"Among an assembly of guests in a vast baroque mansion, the narrator/hero tries to persuade a woman that they have met before, and that she has agreed to go away with him, leaving the man (her husband, perhaps) who has accompanied her to this mansion. Introduces Resnais' unconventional editing techniques."
"Introduces producer Alain Resnais's unconventional editing techniques. The story evolves a man, who reminds a woman of a conversation he claims they had last year at Marienbad, an exchange of interpretations about the statues of a man and a woman."@en