Searching for a new German identity Heiner Müller and the Geschichtsdrama
Theresa M. Ganter investigates Heiner Muller's use of the Geschichtsdrama as a tool in his search for post-World War II and post-reunification German identity in 'Germania Tod in Berlin' (1956/1971) and 'Germania 3 Gespenster am Toten Mann' (1996), respectively.
"Theresa M. Ganter investigates Heiner Muller's use of the Geschichtsdrama as a tool in his search for post-World War II and post-reunification German identity in 'Germania Tod in Berlin' (1956/1971) and 'Germania 3 Gespenster am Toten Mann' (1996), respectively."
"Theresa M. Ganter investigates Heiner Muller's use of the Geschichtsdrama as a tool in his search for post-World War II and post-reunification German identity in 'Germania Tod in Berlin' (1956/1971) and 'Germania 3 Gespenster am Toten Mann' (1996), respectively."@en
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Deutschlandbild Nationalbewusstsein <Motiv> Müller, Heiner Germania 3 Gespenster am toten Mann.
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Deutschlandbild Nationalbewusstsein <Motiv> Müller, Heiner Germania Tod in Berlin.
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Nationalbewusstsein <Motiv> Deutschlandbild Müller, Heiner Germania 3 Gespenster am toten Mann.
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Nationalbewusstsein <Motiv> Deutschlandbild Müller, Heiner Germania Tod in Berlin.
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