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Janet Frame semiotics and biosemiotics in her early fiction

In Janet Frame: Semiotics and Biosemiotics in Her Early Fiction, Paul Matthew St. Pierre exploits the linguistic discipline of semiotics and the neurobiological discipline of biosemiotics to propose an original and dynamic reading of the first fourworks of fiction by New Zealand writer Janet Frame (1924-2004): The Lagoon: Stories (1951), Owls Do Cry (1957), Faces in the Water (1961), and The Edge of the Alphabet (1962). Opposing the prevailing reading of Frame's early fiction as autobiographical, deriving from her medical history, he argues her books are singular evocations of her astonishing.

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  • "In Janet Frame: Semiotics and Biosemiotics in Her Early Fiction, Paul Matthew St. Pierre exploits the linguistic discipline of semiotics and the neurobiological discipline of biosemiotics to propose an original and dynamic reading of the first fourworks of fiction by New Zealand writer Janet Frame (1924-2004): The Lagoon: Stories (1951), Owls Do Cry (1957), Faces in the Water (1961), and The Edge of the Alphabet (1962). Opposing the prevailing reading of Frame's early fiction as autobiographical, deriving from her medical history, he argues her books are singular evocations of her astonishing."@en

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  • "Criticism, interpretation, etc"
  • "Criticism, interpretation, etc"@en
  • "Electronic books"@en

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  • "Janet Frame: Semiotics and Biosemiotics in Her Early Fiction"
  • "Janet Frame semiotics and biosemiotics in her early fiction"
  • "Janet Frame semiotics and biosemiotics in her early fiction"@en
  • "Janet Frame : semiotics and biosemiotics in her early fiction"
  • "Janet Frame Semiotics and Biosemiotics in Her Early Fiction"@en

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