"Goodman, Alison" . . "Science-fiction." . . "Science fiction." . "Voyages dans le temps Romans." . . "Weibliche Jugend Zeitreise Zukunft Jugendbuch." . . "Science fiction, Australian." . . "Aliens." . . . . "Identity (Psychology) in adolesecence Juvenile fiction." . . "Time travel Juvenile fiction." . . "Young adult fiction." . . "Time travel." . . "Girls." . . "Singing the dogstar blues"@en . "Singing the dogstar blues" . . . . . "Fiction" . "Fiction"@en . . . . "In a future Australia, the saucy eighteen-year-old daughter of a famous newscaster and a sperm donor teams up with a hermaphrodite from the planet Choria in a time travel adventure that may significantly change both of their lives." . "In a future Australia, the saucy eighteen-year-old daughter of a famous newscaster and a sperm donor teams up with a hermaphrodite from the planet Choria in a time travel adventure that may significantly change both of their lives."@en . . . . . . . . . "Young adult works" . . . "Jugendbuch" . . . . "Singing the Dogstar blues" . "Singing the Dogstar blues"@en . . "Since an alien selected her to be his time-travelling partner, Joss has met an assassin, confronted an anti-alien lobby and had her freewheeling lifestyle nipped in the bud by the high security which suuounds the first Chorian to study on Earth! It all began with a petri dish..." . . . . . "Blues voor Sirius" . . . . . . "Galaxy blues" . . . . . "Young adult fiction" . . . . . . . "Electronic books"@en . . . "Seventeen-year-old Joss is a wild girl who can play a mean harmonica. A rebel with a famous mother and sperm-donor father, Joss has been chosen to study time travel at the prestigious Centre for Neo-Historical Studies. Suddenly there are more questions than answers and Joss needs to go back to the petri dish where it all began."@en . "\"A teenage girl, an alien and time travel.\"--Provided by publisher." . . . "Galaxy Blues" . . . "Juvenile works"@en . "Juvenile works" . . . . . . . . "Science fiction" . . . . . . . . . . . . . "Singing the Dogstar Blues"@en . . . .