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http://worldcat.org/entity/work/id/957577059

Days of heaven

In 1910, Bill, a Chicago steel worker accidentally kills his supervisor. He flees to the Texas panhandle with his girlfriend Abby and little sister Linda, where they work harvesting wheat in the fields of a stoic farmer. When Bill learns that the farmer is ill and has less than a year to live, he encourages Abby to accept the man's attentions. The farmer and Abby marry, and she and her "siblings" live in the big house, waiting for the farmer to die, so Abby can inherit. But love seems to be a cure-all: the farmer seems to be improving. And Abby is no longer seeing this as a marriage of convenience.

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  • "American gigolo"
  • "Tian tang zhi ri"@en
  • "天堂之日"
  • "Rajski dnevi"
  • "Terrence Malick's Days of heaven"@en
  • "Terrence Malick's Days of heaven"
  • "Les moissons du ciel"
  • "Terrence Malick's days of heaven"
  • "Days of heaven"
  • "Days of heaven"@es
  • "Días de paraíso"@es
  • "Days of Heaven"@es
  • "Days of Heaven"
  • "Tage des Himmels"
  • "Glut des Südens"
  • "In der Glut des Südens"
  • "Moissons du ciel, français"

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http://schema.org/description

  • "In 1910, Bill, a Chicago steel worker accidentally kills his supervisor. He flees to the Texas panhandle with his girlfriend Abby and little sister Linda, where they work harvesting wheat in the fields of a stoic farmer. When Bill learns that the farmer is ill and has less than a year to live, he encourages Abby to accept the man's attentions. The farmer and Abby marry, and she and her "siblings" live in the big house, waiting for the farmer to die, so Abby can inherit. But love seems to be a cure-all: the farmer seems to be improving. And Abby is no longer seeing this as a marriage of convenience."@en
  • "In 1910, Bill, a Chicago steel worker accidentally kills his supervisor. He flees to the Texas panhandle with his girlfriend Abby and little sister Linda, where they work harvesting wheat in the fields of a stoic farmer. When Bill learns that the farmer is ill and has less than a year to live, he encourages Abby to accept the man's attentions. The farmer and Abby marry, and she and her "siblings" live in the big house, waiting for the farmer to die, so Abby can inherit. But love seems to be a cure-all: the farmer seems to be improving. And Abby is no longer seeing this as a marriage of convenience."
  • "In the early 20th century a fugitive from the slums of Chicago and a shy, rich Texan vie for the love of the same woman."
  • "In the early 20th century a fugitive from the slums of Chicago and a shy, rich Texan vie for the love of the same woman."@en
  • "Bill y Abby, una joven pareja, deciden abandonar la pobreza y la dura vida que llevan en el Chicago de 1916. Los dos, viajan hacia Texas, donde encuentran trabajo en una granja. Al finalizar la cosecha, el joven y apuesto patrón, que cree que Bill y Abby son hermanos, les pide que se queden porque se ha enamorado de Abby."@es
  • "Bill y Abby, una joven pareja, deciden abandonar la pobreza y la dura vida que llevan en el Chicago de 1916. Los dos, viajan hacia Texas, donde encuentran trabajo en una granja. Al finalizar la cosecha, el joven y apuesto patrón, que cree que Bill y Abby son hermanos, les pide que se queden porque se ha enamorado de Abby."
  • "As in Badlands, it is the manner of the telling rather than the tale that is paramount. The simple storyline involves a young couple and a girl on the run from the city. The couple form a fatal triangle with a young Texan landowner living in a Gothic mansion on the Panhandle (shades of Giant). Just as he invoked the fifties teenage pic to intersect with the setting of Badlands in the 1950s, so, in Days of Heaven, Malick invokes silent cinema (verbal sparseness) in line with the film's setting, circa 1916. The matter-of-fact narration by the girl does not provide her perspective so much as tell us about her 'piecemeal accumulation of knowledge and experience'. The oblique accumulation of detail tends to displace characterisation and storyline opening a gap between character and action, motive and feeling in what has been described as 'a profound chilling of the romantic style.' The effect is to widen the subject into the realm of the metaphysical."@en
  • "In the early 20th century a fugitive from the slums of Chicago and a shy, rich Texan vie for the love of the same women."@en
  • ""As in Badlands, it is the manner of the telling rather than the tale that is paramount. The simple storyline involves a young couple and a girl on the run from the city. The couple form a fatal triangle with a young Texan landowner living in a Gothic mansion on the Panhandle (shades of Giant). Just as he invoked the fifties teenage pic to intersect with the setting of Badlands in the 1950s, so, in Days of Heaven, Malick invokes silent cinema (verbal sparseness) in line with the film's setting, circa 1916. The matter-of-fact narration by the girl does not provide her perspective so much as tell us about her 'piecemeal accumulation of knowledge and experience'. The oblique accumulation of detail tends to displace characterisation and storyline opening a gap between character and action, motive and feeling in what has been described as 'a profound chilling of the romantic style.' The effect is to widen the subject into the realm of the metaphysical." bib. record from DVD."@en
  • "1979年奧斯卡四項提名, 榮獲最佳攝影獎1979年坎城影展最佳導演獎1978年全美各大影評人協會最佳導演, 攝影獎備受影評讚譽的[天堂之日]是一部觸動人心的不朽鉅作內容大綱 : 影片描述來自芝加哥貧民窟的亡命者(李察吉爾飾), 與一個靦腆而富有的男人(山姆薛普飾)同時愛上同一個女人(布魯克亞當斯飾)的故事. 電影在[紅色警戒]導演泰倫斯馬立克的掌控下, 呈現風格獨具色彩飽滿的詩畫意境, 精采的配樂與出色的攝影更為影片加分不少, 不僅獲得美國影評人的青睞, 更讓泰倫斯馬立克在坎城影展上榮膺最佳導演獎."
  • "1979 nian ao si ka si xiang ti ming , rong huo zui jia she ying jiang 1979 nian kan cheng ying zhan zui jia dao yan jiang 1978 nian quan mei ge da ying ping ren xie hui zui jia dao yan, she ying jiang bei shou ying ping zan yu de[tian tang zhi ri]shi yi bu chu dong ren xin de bu xiu ju zuo nei rong da gang : ying pian miao shu lai zi zhi jia ge pin min ku de wang ming zhe(li cha ji er shi), yu yi ge mian tian er fu you de nan ren(shan mu xue pu shi)tong shi ai shang tong yi ge nu ren (bu lu ke ya dang si shi)de gu shi. dian ying zai[ hong se jing jie]dao yan tai lun si ma li ke de zhang kong xia, cheng xian feng ge du ju se cai bao man de shi hua yi jing, jing cai de pei yue yu chu se de she ying geng wei ying pian jia fen bu shao, bu jin huo de mei guo ying ping ren de qing lai, geng rang tai lun si ma li ke zai kan cheng ying zhan shang rong ying zui jia dao yan jiang."@en
  • "One of the most critically-acclaimed films of the year, Days of Heaven is a moving story about two men who love the same woman. Richard Gere, a fugitive from the slums of Chicago, finds himself pitted against a shy, rich Texan (Sam Shepard) for the love of Abby (Brooke Adams)."@en
  • "Days of Heaven is a moving story about two men who love the same woman. Richard Gere, a fugitive from the slums of Chicago, finds himself pitted against a shy, rich Texan (Sam Shepard) for the love of Abby (Brooke Adams.)."@en
  • "Terrence Malick confirms his reputation as a visual poet and narrative iconoclast with a story of love and murder told through the jaded voice of a child and expressive images of nature."
  • ""Terrence Malick's follow-up to BADLANDS is an exquisitely photographed story of a group of early-20th-century itinerant workers who find themselves entangled in a deadly love triangle. Bill (Richard Gere) and Abby (Brooke Adams) are lovers who are forced to flee Chicago after Bill accidentally murders his foreman. Together, with Bill's little sister, Linda (Linda Manz), they settle on the land of a wealthy farmer (Sam Shepard) and spend their days working in the wheat fields. Bill discovers that the farmer is terminally ill and convinces Abby to marry him so they can inherit his fortune. As the days progress, it becomes apparent that the farmer isn't getting any sicker, and when he discovers that Abby and Bill had initially set out to con him, their carefree existence comes to a deadly end. Notorious for its on-set difficulties and extended postproduction, Days of Heaven remains a beautifully composed work of art. Malick uses dialogue minimally, sometimes choosing not to fade in the sound of a scene until the actors have finished speaking. To combat this, he applies Linda's innocent voice-over--as he did with Sissy Spacek's in BADLANDS--to add a poetic dimension. Combined with Nestor Almendros's Oscar-winning cinematography and Ennio Morricone's mellifluent score, Days of heaven is a timeless motion picture that confirms Malick's directorial prowess"--JB HI-FI Website."
  • "A young couple who pretend to be brother and sister move from Chicago to the Texas panhandle to escape poverty. There, they work the ranch of a rich and handsome farmer, who has fallen in love with the woman."@en
  • ""En 1916, après avoir assommé son contremaître, un jeune ouvrier d'usine de Chicago, Bill, s'enfuit vers le sud avec sa maîtresse Abby et sa jeune soeur Linda. Tous trois trouvent à s'employer parmi les nombreux travailleurs agricoles engagés temporairement sur une grande ferme du Texas. Le propriétaire, frappé par la beauté d'Abby, l'invite à rester sur son domaine et finit par lui proposer le mariage. Bill, qui se fait passer pour son frère, l'engage à accepter, sachant que le fermier malade n'en a plus pour longtemps à vivre." [(c) Médiafilm]."
  • "1916. Après avoir assommé son contremaître, un jeune ouvrier d'usine de Chicago, Bill, s'enfuit vers le Sud avec sa maîtresse Abby et sa jeune soeur Linda. Tous 3 trouvent à s'employer parmi les nombreux travailleurs agricoles engagés temporairement sur une ferme du Texas. Le propriétaire, frappé par la beauté d'Abby, l'invite à rester sur son domaine et finit par lui proposer le mariage. Bill, qui se fait passer pour son frère, l'engage à accepter, sachant que le fermier malade n'en a plus pour longtemps."
  • "American gigolo. Julian makes a lucrative living as an escort to older women in the Los Angeles area. He begins a relationship with Michelle, a local politician's wife, without expecting any pay. One of his clients is murdered and Detective Sunday begins pumping him for details on his different clients, something he is reluctant to do considering the nature of his work. Julian begins to suspect he's being framed. Meanwhile Michelle begins to fall in love with him."
  • "As in Badlands, it is the manner of the telling rather than the tale that is paramount. The simple storyline involves a young couple and a girl on the run from the city. The couple form a fatal triangle with a young Texan landowner living in a Gothic mansion on the Panhandle (shades of Giant). Malick invokes silent cinema (verbal sparseness). The matter-of-fact narration by the girl does not provide her perspective but rather her 'piecemeal accumulation of knowledge and experience'"@en
  • "A moving story about two men who love the same woman. A fugitive from the slums of Chicago finds himself pitted against a shy, rich Texan for the love of Abby. DVD."@en
  • "In the early 20th centiry a fugitive from the slums of Chicago and a shy, rich Texan vie for the love of the same woman."
  • "Fiction. Drame de moeurs. En 1916, après avoir assommé son contremaître, un jeune ouvrier d'usine de Chicago, Bill, s'enfuit vers le Sud avec sa maîtresse Abby et sa jeune soeur Linda. Tous trois trouvent à s'employer parmi les nombreux travailleurs agricoles engagés temporairement sur une grande ferme du Texas. Le propriétaire, frappé par la beauté d'Abby, l'invite à rester sur son domaine et finit par lui proposer le mariage. Bill, qui se fait passer pour son frère, l'engage à accepter, sachant que le fermier malade n'en a plus pour longtemps à vivre. [(c) Médiafilm] [SDM]."
  • "An early 20th century drama in which three young immigrants leave Chicago for the wheatfields of the American West."
  • ""American gigolo" :: Julian Kay is looking for someone to please. Boyish and sensual, he speaks five or six languages, and is equally comfortable as a chauffeur for a wealthy middle aged matron. He is the American Gigolo. But Julian's love for sale lifestyle turns deadly when a client is murdered and Julian becomes the prime suspect."
  • "Days of heaven" :: A moving story about two men who love the same woman. A fugitive from the slums of Chicago finds himself pitted against a shy, rich Texan for the love of Abby."
  • "A moving story about two men who love the same woman. A fugitive from the slums of Chicago finds himself pitted against a shy, rich Texan for the love of Abby."
  • "A moving story about two men who love the same woman. A fugitive from the slums of Chicago finds himself pitted against a shy, rich Texan for the love of Abby."@en
  • "Después de asesinar a un hombre, el temperamental granjero Bill (Richard Gere) huye a Texas con su novia Abby (Brook Adams) y su hermana pequeña. Bill y Abby fingen ser hermanos para evitar preguntas sobre su pasado. Encuentran trabajo con un granjero que se dedica al maíz (Sam Shepard) y para el final de la cosecha, el rico granjero se ha enamorado de Abby. Cuando le pide matrimonio, Bill le pide a Abby que lo acepte... pero, solo porque el granjero está enfermo y porque nada más le queda un año de vida. Su intención de reclamar la herencia se complica cuando la salud del granjero se mejora."@es
  • "A laserdisc version of the film, presented in its original widescreen format."@en
  • "In 1910, Bill, a Chicago steel worker accidentally kills his supervisor. He flees to the Texas panhandle with his lover Abby and little sister Linda, where they work harvesting wheat in the fields of a stoic farmer. When Bill learns that the farmer is ill and has less than a year to live, he encourages Abby to accept the man's attentions. The Farmer and Abby marry, and she and her "siblings" live in the big house, waiting for the Farmer to die, so Abby can inherit, and the three of them live happily ever after. But love seems to be a cure-all: the Farmer seems to be improving--and Abby is no longer seeing this as a marriage of convenience. From a landscape of panoramic vistas, vivid colors, and rich textures comes a timeless American idyll and a gritty evocation of turn-of-the-century labor."@en
  • "The story of a drifter from Chicago whose girlfriend falls in love with a shy, rich Texan."
  • ""A story about two men who love the same woman. A fugitive from the slums of Chicago (Richard Gere) finds himself pitted against a shy, rich Texan (Sam Shepard) for the love of Abby (Brooke Adams)"--Container."@en
  • "Un trabajador de una industria de Chicago, su novia y su hermana, ante la pobreza que padecen, abandonan esta ciudad para buscar una nueva vida en los campos de Texas."
  • "Days of heaven. A moving story about two men who love the same woman. A fugitive from the slums of Chicago finds himself pitted against a shy, rich Texan for the love of Abby."
  • ""A story about two men who love the same woman. A fugitive from the slums of Chicago finds himself pitted against a shy, rich Texan for the love of Abby"--Container."@en
  • ""After accidentally killing a man, hot-tempered farmhand Bill flees to Texas with his girlfriend Abby and his younger sister. Bill and Abby pose as brother and sister to avoid strangers' questions about their past. They find grueling work on a wheat farmer's (Sam Shepard) property, and by the end of the harvest, the wealthy farmer has fallen in love with Abby. When he asks Abby to marry him, Bill urges her to accept, but only because the farmer is seriously ill, with only a year to live. Their plan to claim an inheritance backfires when the farmer's health takes an upswing"--DVD sleeve."@en
  • ""After accidentally killing a man, hot-tempered farmhand Bill flees to Texas with his girlfriend Abby and his younger sister. Bill and Abby pose as brother and sister to avoid strangers' questions about their past. They find grueling work on a wheat farmer's (Sam Shepard) property, and by the end of the harvest, the wealthy farmer has fallen in love with Abby. When he asks Abby to marry him, Bill urges her to accept, but only because the farmer is seriously ill, with only a year to live. Their plan to claim an inheritance backfires when the farmer's health takes an upswing"--DVD sleeve."
  • "En los primeros años del siglo 20 un fugitivo de los tugurios de Chicago y un rico Texano tímido, compiten por el amor de la misma mujer."
  • "In the early 20th century, a fugitive from the slums of Chicago becomes pitted against a shy, rich Texan for the love of Abby in the wheatfields of Texas."@en

http://schema.org/genre

  • "Features"@en
  • "Features"
  • "Fiction"@en
  • "Fiction films"@en
  • "Drames socials"
  • "Speelfilm"
  • "Drama"@es
  • "Drama"
  • "Drama"@en
  • "Videodiscos DVD"@es
  • "Video recordings for the hearing impaired"@en
  • "Video recordings for the hearing impaired"
  • "Drama romántico cinematográfico"@es
  • "Drama romántico cinematográfico"
  • "Romance films"
  • "Films for the hearing impaired"@en
  • "Academy Award films"@en
  • "Academy Award films"
  • "Feature films"@en
  • "Feature films"
  • "Western films"@en
  • "Western films"
  • "Melodrama"@en
  • "Belletristische Darstellung"
  • "Romance"@en
  • "Melodrama - Feature"@en
  • "Films dramatiques"

http://schema.org/name

  • "Days of heaven Die Glut des Südens"
  • "Days of heaven"
  • "Days of heaven"@en
  • "Days of heaven, [and], American gigolo"
  • "Días del cielo Days of Heaven"@es
  • "Días del cielo Days of Heaven"
  • "Days of heaven American gigolo"
  • "Days of heaven (Film cinématographique)"
  • "Días de gloria Days of heaven"@es
  • "Days of heaven (Motion picture)"
  • "Days of heaven (Motion picture)"@en
  • "Días del cielo = Days of Heaven"@es
  • "Days of heaven = Les moissons du ciel"
  • "Días del cielo = Days of heaven"@es
  • "Days of Heaven"@es
  • "Days of Heaven"
  • "Días del cielo"
  • "Days of heaven Rajski dnevi"
  • "Días del Cielo"@es
  • "Days of Heaven = 天堂之日"
  • "Dias del cielo = Days of heaven"
  • "Days of Heaven = tian tang zhi ri"@en
  • "Days of heaven (Film)"

http://schema.org/workExample