Lawrence's first novel is set in the Eastwood area of his youth, and involves such themes as the damage associated with mismatched marriages, and the border between town and country. The book includes some notable descriptions of nature and the impact of industrialisation, with a provincialism that may be compared with that of George Eliot and Thomas Hardy.
"Lawrence's first novel is set in the Eastwood area of his youth, and involves such themes as the damage associated with mismatched marriages, and the border between town and country. The book includes some notable descriptions of nature and the impact of industrialisation, with a provincialism that may be compared with that of George Eliot and Thomas Hardy."@en
"Lawrence's first novel is a compelling exploration of the estrangements of modern life. Focusing on three relationships - one destructively stillborn, one disastrously unfulfilling, and one passionately unspoken - Lawrence exploits the language and conventions of the rural tradition to foreground man's alienation from the natural world. His evocation of the vanishing countryside of the English Midlands, as seen through the eyes of the effete Cyril Beardsall, is both vivid and arresting, and as the novel draws towards its tragic conclusion Lawrence handles his themes with an increasingly visionary power. The White Peacock is both a fascinating precursor of the more famous novels to come and a moving and challenging book in its own right."
"Lawrence's first novel is a compelling exploration of the estrangements of modern life. Focusing on three relationships - one destructively stillborn, one disastrously unfulfilling, and one passionately unspoken - Lawrence exploits the language and conventions of the rural tradition to foreground man's alienation from the natural world. His evocation of the vanishing countryside of the English Midlands, as seen through the eyes of the effete Cyril Beardsall, is both vivid and arresting."
"Lawrence's first novel The White Peacock was begun in 1906, rewritten three times, and published in 1911. The Cambridge edition uses the final manuscript as base-text, and faithfully recovers Lawrence's words and punctuation from the layers of publishers' house-styling and their errors; original passages, changed for censorship reasons, are reinstated. Andrew Robertson's introduction sets out the history of Lawrence's writing and revision, and the generally favourable reception by friends and reviewers. Lawrence incorporated much of his own experience and reading on to the novel which is set just north-east of Eastwood, and modelled characters on his friends and family. The notes identify real-life places and people, explain dialect forms, literary allusions, and historical references, and include sensitive passages deleted before publication. The textual apparatus records all the variant readings and the appendix prints the two surviving fragments from the earliest manuscripts of the novel, then entitled 'Laetitia'. --Publisher."
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