Cancer Ward examines the relationship of a group of people in the cancer ward of a provincial Soviet hospital in 1955, two years after Stalin's death. We see them under normal circumstances, and also reexamined at the eleventh hour of illness. Together they represent a remarkable cross-section of contemporary Russian characters and attitudes. The experiences of the central character, Oleg Kostoglotov, closely reflect the author's own: Solzhenitsyn himself became a patient in a cancer ward in the mid-1950s, on his release from a labor camp, and later recovered. Translated by Nicholas Bethell and David Burg.
"Cancer Ward examines the relationship of a group of people in the cancer ward of a provincial Soviet hospital in 1955, two years after Stalin's death. We see them under normal circumstances, and also reexamined at the eleventh hour of illness. Together they represent a remarkable cross-section of contemporary Russian characters and attitudes. The experiences of the central character, Oleg Kostoglotov, closely reflect the author's own: Solzhenitsyn himself became a patient in a cancer ward in the mid-1950s, on his release from a labor camp, and later recovered. Translated by Nicholas Bethell and David Burg."@en
"A largely autobiographical account of a group of people who pass through the cancer wing of a provincial Soviet hospital in 1955, it is a vivid portrait of individuals in isolation whose collective concern is disease. Through stories of patients and doctors, political prisoners and bureaucrats, the young and the old, it probes the fears and the hopes of an entire cross-section of Soviet society. Cancer ward has been seen as a metaphor for the malignancy afflicting the Russian nation, but the moral and ethical questions it raises-about love and conscience, life and death, spiritual sorrows and triumphs-rise above their immediate political context to assure universal significance. This is the complete unexpurgated edition translated by Nicholas Betthell and David Burg. It includes Solzhenitsyn's world-famous letters to the Fourth Congress of Soviet Writers and the Writers' Union, a transcript of the proceedings of the session of the Soviet Writers' Secretariat, and an afterword by Vladimir Petrov. During February and March of 1955, several men pass through the men's cancer ward in a Soviet hospital."
"A study of people facing terminal illness and a dissection of the "cancerous" Soviet police state__"@en
"This novel portrays the relationship of a group of people in the cancer ward of a provincial Soviet hospital. We see them under normal circumstances, and also re-examined at the eleventh hour of illness. Together they present a remarkable cross-section of contemporary Russian characters and attitudes. The experience of the central character, Oleg Kostoglotov, closely reflect the author's own: solzhenitsyn himself became a patient in a cancer ward in the mid-1950s, on his release from a concentration camp, and later recovered. "Cancer Ward" symbolises the conflict between liberals and conservatives in Russia today."
"Examines the relationship of a group of people in the cancer ward of a provincial Soviet hospital in 1955, two years after Stalin's death. They are seen under normal circumstances, and also reexamined at the eleventh hour of illness. Together they represent a remarkable cross-section of contemporary Russian characters and attitudes. The experiences of the central character, Oleg Kostoglotov, closely reflect the author's own. Solzhenitsyn himself became a patient in a cancer ward in the mid-1950s, on his release from a labor camp, and later recovered."@en
"Der Nobelpreisträger, Solschenizyn, dessen Name für mutiges Einstehen gegen die Unterdrückung der Gedankenfreiheit steht, beschreibt hier eine Situation, die in jeder menschlichen Gemeinschaft ihre Gültigkeit behält: die geschlossene Gesellschaft der von Hoffnung beherrschten und vom Krebs bedrohten Ärztinnen und Patienten. Einer der aufsehenerregendsten Romane dieser Zeit. - Back cover."
"A largely autobiographical account of a group of people who pass through the cancer wing of a provincial Soviet hospital in 1955, it is a vivid portrait of individuals in isolation whose collective concern is disease. Through stories of patients and doctors, political prisoners and bureaucrats, the young and the old, it probes the fears and the hopes of an entire cross-section of Soviet society. Cancer ward has been seen as a metaphor for the malignancy afflicting the Russian nation, but the moral and ethical questions it raises-about love and conscience, life and death, spiritual sorrows and triumphs-rise above their immediate political context to assure universal significance."
"A largely autobiographical account of a group of people who pass through the cancer wing of a provincial Soviet hospital in 1955, it is a vivid portrait of individuals in isolation whose collective concern is disease. Through stories of patients and doctors, political prisoners and bureaucrats, the young and the old, it probes the fears and the hopes of an entire cross-section of Soviet society. Cancer ward has been seen as a metaphor for the malignancy afflicting the Russian nation, but the moral and ethical questions it raises-about love and conscience, life and death, spiritual sorrows and triumphs-rise above their immediate political context to assure universal significance."@en
"A largely autobiographical account of a group of people who pass through the cancer wing of a provincial Soviet hospital in 1955, it is a vivid portrait of individuals in isolation whose collective concern is disease. Through the stories of patients and doctors, political prisoners and bureaucrats, the young and the old, it probes the fears and the hopes of an entire cross-section of Soviet society. Cancer Ward has been seen as a metaphor for the malignancy afflicting the Russian nation, but the moral and ethical questions it raises-about love and conscience, life and death, spiritual sorrows and triumphs-rise above their immediate political context to assure universal significance. This is the complete, unexpurgated edition translated by Nicholas Betthell and David Burg. It includes Solzhenitsyn's world-famous letters to the Fourth Congress of Soviet Writers and the Writers' Union, a transcript of the proceedings of a session of the Soviet Writers' Secretariat, and an afterword by Vladimir Petrov."
"A largely autobiographical account of a group of people who pass through the cancer wing of a provincial Soviet hospital in 1955, it is a vivid portrait of individuals in isolation whose collective concern is disease. Through the stories of patients and doctors, political prisoners and bureaucrats, the young and the old, it probes the fears and the hopes of an entire cross-section of Soviet society. Cancer Ward has been seen as a metaphor for the malignancy afflicting the Russian nation, but the moral and ethical questions it raises-about love and conscience, life and death, spiritual sorrows and triumphs-rise above their immediate political context to assure universal significance. This is the complete, unexpurgated edition translated by Nicholas Betthell and David Burg. It includes Solzhenitsyn's world-famous letters to the Fourth Congress of Soviet Writers and the Writers' Union, a transcript of the proceedings of a session of the Soviet Writers' Secretariat, and an afterword by Vladimir Petrov."@en
""A largely autobiographical account of a group of people who pass through the cancer wing of a provincial Soviet hospital in 1955, it is a vivid portrait of individuals in isolation whose collective concern is disease. Through the stories of patients and doctors, political prisoners and bureaucrats, the young and the old, it probes the fears and the hopes of an entire cross-section of Soviet society. Cancer Ward has been seen as a metaphor for the malignancy afflicting the Russian nation, but the moral and ethical questions it raises-about love and conscience, life and death, spiritual sorrows and triumphs-rise above their immediate political context to assure universal significance. This is the complete, unexpurgated edition translated by Nicholas Betthell and David Burg. It includes Solzhenitsyn's world-famous letters to the Fourth Congress of Soviet Writers and the Writers' Union, a transcript of the proceedings of a session of the Soviet Writers' Secretariat, and an afterword by Vladimir Petrov.""@en
"One of the great allegorical masterpieces of world literature, Cancer Ward is both a deeply compassionate study of people facing terminal illness and a brilliant dissection of the "cancerous" Soviet police state. --Publisher."@en
""Cancer Ward is a largely autobiographical account of a group of people who pass through the cancer wing of a provincial Soviet hospital in 1955, two years after Stalin's death. Through the stories of patients and doctors, political prisoners and bureaucrats, the young and the old, it probes the fears and the hopes of an entire cross-section of Soviet society. Cancer Ward has been seen as a metaphor for the malignancy that afflicted the Soviet state, but the moral questions it raises - about love and conscience, life and death, spiritual sorrows and triumphs - rise above their immediate political context to assume universal significance."--Inside cover."
"Le Pavillon des cancéreux : Alexandre Soljénitsyne ; [traduit par Alfreda et Michel Aucouturier, Lucile et Georges Nivat, etc.] ; préface par Armand Lanoux"
"Yan zheng bing fang"
"Le Pavillon des cancéreux. [Trad. par Alfreda et Michel Aucouturier, Lucile et Georges Nivat, Jean-Paul Sémon]"
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Littérature russe 20e siècle Traductions françaises.
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Rusland; Sowjetrusland; bolsjewisme en ideologie; Stalinisme en kul't licnosti (de-Stalinisatie)
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Rusland; Sowjetrusland; de Sowjetunie als stelsel, de organisatie van de Sowjetunie; sociaal-cultureel; onderwijs, wetenschap, literatuur en kunst; literatuur, schrijvers, van en over, verzamelbundels.
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"Rusland; Sowjetrusland; de Sowjetunie als stelsel, de organisatie van de Sowjetunie; sociaal-cultureel; onderwijs, wetenschap, literatuur en kunst; literatuur, schrijvers, van en over, verzamelbundels."
Russia; Soviet Union 1917 1987; bolshevism and ideology; Stalinism, kul't licnosti, de-Stalinization.
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