Harriet Manning argues that the nineteenth-century blackface minstrelsy's legacy is nowhere more evident than with Michael Jackson, in whom minstrelsy's gestures and tropes are embedded. The author further contends that minstrelsy's assumptions and uses have been fundamental to the troubles and controversies with which Jackson was beset. Blackface minstrelsy continues to permeate contemporary popular music and its audience. The body of contradiction behind the blackface mask provides an effective approach to try to understand Jackson, a cultural figure about whom more questions than answers ha.
"Harriet Manning argues that the nineteenth-century blackface minstrelsy's legacy is nowhere more evident than with Michael Jackson, in whom minstrelsy's gestures and tropes are embedded. The author further contends that minstrelsy's assumptions and uses have been fundamental to the troubles and controversies with which Jackson was beset. Blackface minstrelsy continues to permeate contemporary popular music and its audience. The body of contradiction behind the blackface mask provides an effective approach to try to understand Jackson, a cultural figure about whom more questions than answers ha."@en
University of Newcastle upon Tyne. School of Arts & Cultures.
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Minstrel music History and criticism Electronic books.
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Musique de ménestrels (Théâtre américain) Histoire et critique.
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