"Baham Farjami, a filmmaker who has not directed for 20 years due to censorship, experiences a strange set of coincidences that convince him that the Angel of Death is near."
"Baham Farjami, a filmmaker who has not directed for 20 yeards due to censorship, experiences a strange set of coincidences that convince him that the Angel of Death is near."
"In this black comedy, Bahman Farjami, a filmmaker who has not directed for twenty years due to censorship, experiences a strange set of of coincidences that convince him that the angel of death must be near. As a means of confronting his fears, he decides to make film about his own funeral."
"Baham Farjami, a filmmaker who has not directed for 20 years due to government censorship, experiences a strange set of coincidences that convince him that the Angel of Death is near. He finally gets an offer to make a documentary (for Japanese TV) on Iranian burial rituals, and along the way stops to give a lift to a woman in distress. This is just the first in a series of incidents that comment on life in Iran, and on the plight of Farjami's generation in general and on the filmmakers of his time in particular."
"An old film producer is offered by a Japanese Film company to make a movie on the funeral arrangements in Iran after twenty fours years of his distance from profession. His wife has died and he always dreams her, which stops him to marry any second wife. The movie also gives a slight shed on the funerals in Iran."
"An Iranian independent filmmaker who has not directed for twenty years due to censorship suddenly experiences a strange set of circumstances that convince him the Angel of Death is near. As a means of confronting his own fears he decides to make a film about his own funeral."
"Farmanara, playing himself, finally gets a film project past the censors, presented as a documentary on Iranian burial customs. He proposes to plan his own funeral."
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