""In the 1960s, rock and pop music recording questioned the convention that recordings should recreate the illusion of a concert hall setting. The Wall of Sound that Phil Spector built behind various artists and the intricate electicism of George Martin's recordings of the Beatles did not resemble live performances--in the Albert Hall or elsewhere--but instead created a new sonic world. The role of the record producer, writes [the author in this book] ... was evolving from that of organizer to auteur. Moorefield, a musician and producer himself, traces this evolution with detailed discussions of works by producers and producer-musicians including Spector and Martin, Brian Eno, Bill Laswell, Trent Reznor, Quincy Jones, and the Chemical Brothers. Underlying the transformation, Moorefield writes, is technological development: new techniques--tape editing, overdubbing, compression--and, in the last ten years, inexpensive digital recording equipment that allows artists to become their own producers ... [This book] tries to unravel the mystery of good pop: why does it sound the way it does?"--Publisher description."
""In the 1960s, rock and pop music recording questioned the convention that recordings should recreate the illusion of a concert hall setting. The Wall of Sound that Phil Spector built behind various artists and the intricate electicism of George Martin's recordings of the Beatles did not resemble live performances--in the Albert Hall or elsewhere--but instead created a new sonic world. The role of the record producer, writes [the author in this book]...was evolving from that of organizer to auteur. Moorefield, a musician and producer himself, traces this evolution with detailed discussions of works by producers and producer-musicians including Spector and Martin, Brian Eno, Bill Laswell, Trent Reznor, Quincy Jones, and the Chemical Brothers. Underlying the transformation, Moorefield writes, is technological development: new techniques--tape editing, overdubbing, compression--and, in the last ten years, inexpensive digital recording equipment that allows artists to become their own producers.... [This book] tries to unravel the mystery of good pop: why does it sound the way it does?"--From publisher description."
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Enregistrements sonores Production et réalisation.
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Enregistrements sonores - Production et réalisation - Histoire.
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Grabaciones sonoras Producción y dirección Historia.
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Música popular (Canciones, etc.) Grabaciones sonoras.
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Música popular (Canciones, etc.) Siglo 20o. Historia y crítica.
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Musikproduzent Popmusik Tonaufnahme Geschichte 1960-2005.
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Musique populaire Arts du spectacle Production et mise en scène.
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Musique populaire - Production et mise en scène - Histoire.
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Popmusik Tonaufnahme Tontechnik Geschichte 1960-2005.
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Sonido Grabación y reproducción Historia Siglo 20o.
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Sound recordings Production and direction History.
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