Grotesque ambivalence : melancholy and mourning in the prose work of Albert Drach
The first English language study of Albert Drach's (1902-1995) prose work explores the originality of Drach's autobiography in the context of current Holocaust debates. Special attention is paid throughout to the relationship between Drach's comic-grotesque language and the melancholy mode of representation in the Holocaust trilogy. Both passionate and critical, Drach's prose lays bare the totalitarian power mechanisms of his time.
"The first English language study of Albert Drach's (1902-1995) prose work explores the originality of Drach's autobiography in the context of current Holocaust debates. Special attention is paid throughout to the relationship between Drach's comic-grotesque language and the melancholy mode of representation in the Holocaust trilogy. Both passionate and critical, Drach's prose lays bare the totalitarian power mechanisms of his time."@en
"Main description: The first English language study of Albert Drach's (1902-1995) prose work explores the originality of Drach's autobiography in the context of current Holocaust debates. Special attention is paid throughout to the relationship between Drach's comic-grotesque language and the melancholy mode of representation in the Holocaust trilogy. Both passionate and critical, Drach's prose lays bare the totalitarian power mechanisms of his time."
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Judenvernichtung Motiv (Literatur) Drach, Albert Prosa Melancholie <<Das>> Groteske.
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