"Flutist James Galway examines the new musical forms (symphonies, sonatas, operas) which were available to 18th century audiences."@en
"Flutist James Galway discusses how writing music for public performance in concert halls and theaters required composers to keep abreast of popular styles."
"Flutist James Galway discusses how writing music for public performance in concert halls and theaters required composers to keep abreast of popular styles."@en
"Flutist James Galway discusses how writing music for public performance in concert halls and theatres required composers to keep abreast of popular styles. This is best illustrated by the work of Handel: Zadok the Priest, Concerts for Organ and Orchestra in G minor, Royal Fireworks Music, extracts from Messiah and selections from Couperin, Scarlatti and Rameau."@en
"Flutist James Galway discusses how writing music for public performance in concert halls and theaters required composers to keep abreast of popular styles. This is best illustrated by the work of Handel: Zadok the Priest, Concerts for Organ and Orchestra in G minor, Royal Fireworks Music, extracts from The Messiah and selections from Couperin, Scarlatti and Rameau."@en
""Music written for public performance in concert halls and theaters required composers to keep abreast of popular styles. Music of Handel, Couperin, Scarlatti, and Rameau . . . Contents include excerpts from: Handel's Zadok the Priest, Music for the Royal Fireworks, Concerto for Organ in D Minor, Orlando, Messiah; Rameau's Nais; Couperin's Deuxième Ordre; Telemann's Sonata in E Minor; Scarlatti's Sonata in B-Flat Major; John Gay's The Beggar's Opera."--Container."
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