Linked Data Explorerhttp://worldcat.org/entity/work/id/58276560
The delights and dangers of ambiguity
Explorations of new tonal fields by composers of the Romantic era. Musical illustrations include: Berlioz' Romeo alone and The Ball at the Capulets; Wagner's Prelude und Liebestod from Tristan und Isolde; and Debussy's Prelude a l'apres-midi d'un faune.
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http://schema.org/about
- http://id.loc.gov/authorities/subjects/sh85088885
- http://id.loc.gov/authorities/subjects/sh85088762
- http://id.worldcat.org/fast/1030269
- http://id.worldcat.org/fast/1030696
- http://id.loc.gov/authorities/subjects/sh85088808
- http://id.worldcat.org/fast/1030478
- http://id.loc.gov/authorities/subjects/sh85088952
- http://id.loc.gov/authorities/subjects/sh87003915
- http://id.worldcat.org/fast/1030408
- http://id.loc.gov/authorities/subjects/sh85088794
- http://id.worldcat.org/fast/1166579
http://schema.org/alternateName
- "Leonard Bernstein at Harvard"@en
http://schema.org/contributor
- http://id.loc.gov/authorities/names/n80089989
- http://viaf.org/viaf/265605164
- http://worldcat.org/entity/person/id/2635458305
- http://worldcat.org/entity/person/id/2637974089
- http://viaf.org/viaf/130393967
- http://worldcat.org/entity/person/id/2632263064
- http://viaf.org/viaf/126727970
- http://worldcat.org/entity/person/id/2642020055
- http://id.loc.gov/authorities/names/n50056384
- http://id.loc.gov/authorities/names/n85026078
http://schema.org/description
- "Leonard Berstein comments on the new tonal fields by composers of the Romantic era. Musical illustrations include selections from Berlioz, Wagner and Debussy."
- "Explorations of new tonal fields by composers of the Romantic era. Musical illustrations include: Berlioz' Romeo alone and The Ball at the Capulets; Wagner's Prelude und Liebestod from Tristan und Isolde; and Debussy's Prelude a l'apres-midi d'un faune."@en
http://schema.org/genre
- "Criticism, interpretation, etc"@en
http://schema.org/name
- "The delights and dangers of ambiguity"
- "The delights and dangers of ambiguity"@en