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From celluloid to cyberspace the media arts and the changing arts world

This is the second in a series of reports that examines the state of the arts in America at the beginning of the 21st century. As in our earlier report on the performing arts, "The Performing Arts in a New Era" (MR-1367-PCT, 2001), this study uses a systemwide approach to examine the media arts in the context of the broader arts environment and to identify the major challenges they face. This approach focuses on the organizational features of the media arts by describing the characteristics of their audiences, artists, arts organizations, and funders. In contrast to the performing and visual arts, the media arts--defined as art that is produced using or combining film, video, and computers-only emerged during the past century and have placed a special premium on experimentation and the use of technology. This report briefly summarizes the development of the media arts, how the different art forms within the genre compare, and the challenges the media arts face. The report should be of interest both to the media arts community (artists, organizations, and funders) and to individuals interested in arts policy and the future of the arts in America. We hope it not only provides useful information about broad developments in the media arts but also promotes analysis of the media arts more generally.

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  • "This is the second in a series of reports that examines the state of the arts in America at the beginning of the 21st century. As in our earlier report on the performing arts, "The Performing Arts in a New Era" (MR-1367-PCT, 2001), this study uses a systemwide approach to examine the media arts in the context of the broader arts environment and to identify the major challenges they face. This approach focuses on the organizational features of the media arts by describing the characteristics of their audiences, artists, arts organizations, and funders. In contrast to the performing and visual arts, the media arts--defined as art that is produced using or combining film, video, and computers-only emerged during the past century and have placed a special premium on experimentation and the use of technology. This report briefly summarizes the development of the media arts, how the different art forms within the genre compare, and the challenges the media arts face. The report should be of interest both to the media arts community (artists, organizations, and funders) and to individuals interested in arts policy and the future of the arts in America. We hope it not only provides useful information about broad developments in the media arts but also promotes analysis of the media arts more generally."@en
  • "The arts in America are entering a new era that will pose many challenges for the arts community. However, our current knowledge of the operation of the arts world and its underlying dynamics is limited. These limits are particularly pronounced with regard to the newest and most dynamic component of the arts world: the media arts. Defined as art that is produced using or combining film, video, and computers, the media arts encompass a diverse array of artistic work that includes narrative, documentary, and experimental films; videos and digital products; and installation art using media. This report examines the organizational features of the media arts, placing them in the context of the broader arts environment and identifying the major challenges they face. Rather than discussing aesthetics or individual artists or works, the authors take a structural point of view, discussing audiences, media artists as a group, arts organizations, and funding for the media arts. They conclude that the media arts need both greater public visibility and a clearer sense of their own identity. They should become more attuned and responsive to the policy context in which they operate and should address the lack of systematic, quantitative information about the field. Finally, the media arts need to become actively involved in building greater public involvement in their work."
  • "The arts in America are entering a new era that will pose many challenges for the arts community. However, our current knowledge of the operation of the arts world and its underlying dynamics is limited. These limits are particularly pronounced with regard to the newest and most dynamic component of the arts world: the media arts. Defined as art that is produced using or combining film, video, and computers, the media arts encompass a diverse array of artistic work that includes narrative, documentary, and experimental films; videos and digital products; and installation art using media. This report examines the organizational features of the media arts, placing them in the context of the broader arts environment and identifying the major challenges they face. Rather than discussing aesthetics or individual artists or works, the authors take a structural point of view, discussing audiences, media artists as a group, arts organizations, and funding for the media arts. They conclude that the media arts need both greater public visibility and a clearer sense of their own identity. They should become more attuned and responsive to the policy context in which they operate and should address the lack of systematic, quantitative information about the field. Finally, the media arts need to become actively involved in building greater public involvement in their work."@en
  • "The arts in America are entering a new era that will pose many challenges for the arts community. However, our current knowledge of the operation of the arts world and its underlying dynamics is limited. These limits are particularly pronounced with regard to the newest and most dynamic component of the arts world: the media arts. Defined as art that is produced using or combining film, video, and computers, the media arts encompass a diverse array of artistic work that includes narrative, documentary, and experimental films; videos and digital products; and installation art using media. This."@en

http://schema.org/genre

  • "Criticism, interpretation, etc"
  • "Criticism, interpretation, etc"@en
  • "Electronic books"
  • "Electronic books"@en
  • "Livres électroniques"

http://schema.org/name

  • "From celluloid to cyberspace the media arts and the changing arts world"@en
  • "From celluloid to cyberspace the media arts and the changing arts world"
  • "From celluloid to cyberspace : the media arts and the changing arts world"
  • "From Celluloid to Cyberspace. The Media Arts and the Changing Arts World"@en
  • "From celluloid to cyberspace : the media arts and the changing arts world : Kevin F. McCarthy, Elizabeth Heneghan Ondaatje"@en