"An overview of the filmmaking of postcolonial, Third World, and other displaced individuals living in the West. How their personal experiences of exile or diaspora translate into cinema is a key focus of the text. The text presents comprehensive and global coverage of this genre."
"In An Accented Cinema, Hamid Naficy offers an engaging overview of an important trend - the filmmaking of postcolonial, Third World, and other displaced individuals living in the West. How their personal experiences of exile or diaspora translate into cinema is a key focus of Naficy's work. Although the experience of expatriation varies greatly from one person to the next, the films themselves exhibit stylistic similarities, from their open- and closed-form aesthetics to their nostalgic and memory-driven multilingual narratives, and from their emphasis on political agency to their concern with identity and transgression of identity. The author explores such features while considering the specific histories of individuals and groups that engender divergent experiences, institutions, and modes of cultural production and consumption. Treating creativity as a social practice, he demonstrates that the films are in dialogue not only with the home and host societies but also with audiences, many of whom are also situated astride cultures and whose desires and fears the filmmakers wish to express. Comparing these films to Hollywood films, Naficy calls them "accented.""
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Diaspora Film Entwicklungsländer Geschichte 1960-2000.
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Exil Filmschaffender Entwicklungsländer Geschichte 1960-2000.
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Film Diaspora Entwicklungsländer Geschichte 1960-2000.
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Filmschaffender Entwicklungsländer Exil Geschichte 1960-2000.
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